Product manager in the field of Victorian woodcarving, Russia.
International Journal of Science and Research Archive, 2025, 14(02), 1868–1873
Article DOI: 10.30574/ijsra.2025.14.2.0354
Received on 05 January 2025; revised on 21 February 2025; accepted on 26 February 2025
The article examines the experience of implementing digital technologies in a church woodcarving workshop that carries out a full cycle of work on the design and manufacture of iconostases and interior ensembles of Orthodox churches. Key aspects of integrating 3D modeling, libraries of standard elements, and machine processing with hand carving are analyzed: their impact on quality, timelines, project manageability, and the preservation of artistic identity.
In the case study of implemented projects, it is shown that the combination of CAD/CAM tools, digital libraries of ornaments (including motifs of Victorian carving), and an established production discipline makes it possible simultaneously to reduce technological risks, increase execution accuracy, and maintain the craft iconographic tradition.
Church Woodcarving; Iconostasis; 3D Modeling; Digital Technologies; CAD/CAM; Machine Processing; Preservation of Tradition; Full-Cycle Workshop
Get Your e Certificate of Publication using below link
Preview Article PDF
Andrei Afanasev. Digital technologies in preserving craft tradition: integration of 3D modeling and machine processing in a church woodcarving workshop. International Journal of Science and Research Archive, 2025, 14(02), 1868–1873. Article DOI: https://doi.org/10.30574/ijsra.2025.14.2.0354.
Copyright © 2025 Author(s) retain the copyright of this article. This article is published under the terms of the Creative Commons Attribution Liscense 4.0







